For The Record
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For The Record
Like a book club for music nerds, Dan Gordon and Maia Bilyk take a deep dive through a different album each week. Between the nostalgic and brand new, broken down by the artist themselves. Recorded and broadcasted on the stolen land of the Gadigal people of the Eora Nation. We pay our respects to el...
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98 episodi
FKA twig's Caprisongs
To say FKA twigs in her near-decade career has seen and experienced it all is an understatement. Since first arriving in 2012 as a hot artist to watch...
Deafheaven’s Ordinary Corrupt Human Love
In July 2018, blackgaze (black metal/shoegaze) juggernauts Deafheaven released one of the most unique records in recent memory. Stomach churning vocal...
Skee Mask’s Pool
Back for the first episode of 2022 and diving right into one of the very best techno records of last year. Released on the iconic Munich based label I...
Best Of 2021: The War on Drugs’ I Don’t Live Here Anymore
More of a refined evolution than any kind of reinvention of the wheel, I Don’t Live Here Anymore is The War on Drugs at the very peak of their powers....
Best Of 2021: Erika de Casier’s Sensational
Subtle and unassuming on the surface, Erika de Casier e Ramos Lizardo’s record, Sensational, possesses extraordinary depth. Harkening back to the earl...
Best Of 2021: Tinashe’s 333
Now onto her second album back as an independent artist, Tinashe is finding freedom creatively and sonically. An exciting, sexy and stunningly varied...
Best Of 2021: Marcus Whale’s The Hunger with Marcus Whale
Fellow FBi Radio alum and extraordinary local creative talent, Marcus Whale joins Maia to discuss one of Sydney’s records of the year, The Hunger. A v...
SCRAM’s RAPTURE with SCRAM
ALL OUR FRIENDS. ALL YOUR FRIENDS. That’s the tagline for Western Sydney’s artist collective, GARJ. This week joining Dan & Maia is Jake Morris, aka S...
Car Seat Headrest’s Teens of Denial
If we could travel back to 2016, not a day would go by without hearing something positive about, or simply just hearing Car Seat Headrest. Teens of De...
Ngaiire’s 3
Initially planned to be a piece for personal discovery, Ngaiire has poured her heart and soul into the extraordinary album, 3. In a time of great unc...
Tyler, The Creator’s Call Me If You Get Lost
In 2021’s year of Hip-Hop, there hasn’t been a mountain of new music to really shift the dial in terms of where the new standard should be set. That i...
HTRK’s Rhinestones
Taking inspiration from friendships forged, prolific Melbourne duo HTRK return with ‘Rhinestones’. Released on their own label, HTRK use this opportun...
Too Birds’ Melbourne 2 with Mr. Society, Realname & Teether
Breaking down Too Bird’s Melbourne 2 with the whole Too Birds crew, Mr. Society, Realname & Teether. Dan & Maia dig into one of the best Australian re...
Indigo De Souza’s Any Shape You Take with Indigo De Souza
Joined by North Carolina’s inimitable Indigo De Souza, Maia enjoys the great pleasure of being taken through the emotion and honesty which spawned the...
Turnstile’s Glow On
With this fourth record in the band’s catalogue, Turnstile have achieved something spectacular. A crossover album which bridges hardcore across into t...
NASHO’s self-titled LP with Heli
NASHO, as in, “nationality”, are a Sydney-based punk supergroup, featuring members of Royal Headache, Dispossessed & Good Throb. Joined by bassist and...
Gil Scott Heron & Jamie xx’s We’re New Here
After being approached with the opportunity by Head of XL Recordings Richard Russell, Jamie xx was honoured with the task of recontextualizing Gil Sco...
John Glacier's SHILOH: Lost For Words
A hidden force in the UK underground and cult member of the Hackney scene, John Glacier has a reputation for being enigmatic and elusive. An artist wh...
Theo Parrish's Wuddaji
For 25 years Detroit's Theo Parrish has been a pioneer and stalwart deep house/techno DJ and producer. Known for his long sets, diversity of genres an...
The Goon Sax's Mirror II
Mirror II is the third full length record from The Goon Sax, an indie pop/rock trio from Brisbane who formed as friends in high school. They initially...
black midi's Cavalcade with Geordie Greep
Taking a slight detour from the unbridled energy of their debut record, black midi return with Cavalcade. A deeply intricate, anxiety inducing, unpred...
3NDLES5 & Crazymike's Sydney Bass with Crazymike
Sydney Bass is a collaborative project by 3NDLES5 (Mitch Tolman of Low Life) and Crazymike (Michael Hassett of DEN). Two premier local songwriters, co...
Slayyyter's Troubled Paradise with Slayyyter
Released through Fader Label, Troubled Paradise is born from the inspiration of 2000s pop and pop culture. The sounds and imagery of people like Britn...
Danny L Harle's Harlecore with Danny L Harle
On Harlecore, Danny L Harle strives to create the ultimate super club. 4 storeys, 4 separate DJs, and you, floating from one floor to the next. Buildi...
Greentea Peng's MAN MADE
Greentea Peng, who got her name from a 'peng' looking green tea box in a Peruvian pharmacy, crafts a punkish, neo-soul, psychadelic wonderland on her...
SBTRKT’s self-titled LP
Venturing back 10 whole years to celebrate a very special record to everyone involved on For The Record, SBTRKT’s self-titled full length debut on You...
Alice Ivy’s Don’t Sleep with Alice Ivy
Lee Tran Lam talks to Alice Ivy about her second album, Don't Sleep, which was nominated for an Australian Music Prize. The Melbourne artist finished...
Banoffee’s Look At Us Now Dad
Released in February of 2020, Banoffee’s Look At Us Now Dad felt like an important record as we collectively traversed through the pandemic. An album...
WU LYF’s Go Tell Fire To The Mountain
10 years ago, Manchester, England collective WU LYF (or World Unite Lucifer Youth Foundation) released a record, and enacted in a moment, Go Tell Fire...
D.D. Dumbo’s Utopia Defeated
D.D. Dumbo, the project of Oliver Hugh Perry had been drawing eyeballs the world over since his promise-filled Tropical Oceans EP had dropped. What th...
Panda Bear’s Tomboy
It’s been 10 years since the release of Panda Bear’s classic record Tomboy, and to very excitedly honour that anniversary, we chat through the often o...
Yu Su’s Yellow River Blue
This week we take a look into an artist and in turn, a story that has evolved into one of the most culturally irresistible and beautiful records that...
Arcade Fire’s The Suburbs
If you’re a fan of indie music from between 2005 and 2015, there’s a good chance you’ll already be well across this record. For the uninitiated, Arcad...
DJ Rashad’s Double Cup
If you’re a big electronic music or footwork stan, you’re gonna know exactly what Teklife crew founder, the late, DJ Rashad is all about. Taking the o...
FTR Vault: Honey Dijon’s The Best of Both Worlds with Sophie Forrest
To commemorate International Trans Day of Visibility, we dip into the FTR Vault to revisit a very special chat with local Sydney DJ Sophie Forrest, ab...
Baths’ Cerulean
Taking you all the way back to 2010, revisiting a bit of a hidden gem and one of Dan’s absolute favourite records, Baths’ Cerulean. Released to plenty...
Big Thief’s U.F.O.F. with Adrianne Lenker
This week we have the privilege of speaking with Adrianne Lenker, who took us through Big Thief’s extremely personal, moving and instant classic, U.F....
Daft Punk’s Discovery
One last time. Two weeks on from the announcement that one of the most impactful duo’s in electronic music’s history would be retiring, For The Record...
slowthai's TYRON
A tale of assuredness and introspection. Exploring the vivid contrast between what slowthai projects himself to be and who he really is. TYRON is all...
FRITZ's Pastel
Welcomed into the loving home of Merewether Heights’ very own Tilly Murphy, we discuss all things FRITZ and her coming-of-age record, Pastel. Together...